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Traditional secret-based credentials can't scale to meet the complexity and size of cloud and on-premises infrastructure. Today's applications are spread across a diverse range of clouds and colocation facilities, as well as on-prem data centers. Each layer of this modern stack has its own attack vectors and protocols to consider. How can you secure access to diverse infrastructure components, from bare metal to ephemeral containers, consistently and simply? In this practical book, authors Ev Kontsevoy, Sakshyam Shah, and Peter Conrad break this topic down into manageable pieces. You'll discover how different parts of the approach fit together in a way that enables engineering teams to build more secure applications without slowing down productivity. With this book, you'll learn: The four pillars of access: connectivity, authentication, authorization, and audit Why every attack follows the same pattern, and how to make this threat impossible How to implement identity-based access across your entire infrastructure with digital certificates Why it's time for secret-based credentials to go away How to securely connect to remote resources including servers, databases, K8s Pods, and internal applications such as Jenkins and GitLab Authentication and authorization methods for gaining access to and permission for using protected resources
It dominates our lives. It is the twentieth-century medium. And yet we're all a little sheepish when it comes to television, disowning it by disavowal or by inventing subtle, innocuous disguises for it. Why is this? In this book, first published in 1982, Peter Conrad argues that our unease stems from the way that the medium works: it absorbs the messages it transmits, it invents a reality of its own and ends by luring the world into the confines of its box. Television's achievement is to have estranged us from the reality which it puports to represent, but which it actually refracts. This invasion of our lives is monitored and projected in programmes designed to ape the human routine. Following a discussion of television as furniture, Peter Conrad explores its various versions of reality: the simulated conversation of the talk show, the competitive consumerism of the games, the messianic commercials, the eventless protraction of the soap operas and the camera's incitement of happenings which the television calls news.
This is a new and expanded edition of a classic case-study in the medicalization of ADHD, originally published in 1976. The book centres on an empirical study of the process of identifying hyperactive children, providing a perceptive and accessible introduction to the concepts and issues involved. In this revised edition, Peter Conrad sets the original study in context, demonstrating the continuing relevance of his research. He highlights the issues at stake, outlining recent changes in our understanding of ADHD and reviewing recent sociological research. Peter Conrad is Harry Coplan Professor of Social Sciences at Brandeis University, USA. He has written extensively in the area of medical sociology, publishing nine books and over eighty articles and chapters.
It dominates our lives. It is the twentieth-century medium. And yet we're all a little sheepish when it comes to television, disowning it by disavowal or by inventing subtle, innocuous disguises for it. Why is this? In this book, first published in 1982, Peter Conrad argues that our unease stems from the way that the medium works: it absorbs the messages it transmits, it invents a reality of its own and ends by luring the world into the confines of its box. Television's achievement is to have estranged us from the reality which it puports to represent, but which it actually refracts. This invasion of our lives is monitored and projected in programmes designed to ape the human routine. Following a discussion of television as furniture, Peter Conrad explores its various versions of reality: the simulated conversation of the talk show, the competitive consumerism of the games, the messianic commercials, the eventless protraction of the soap operas and the camera's incitement of happenings which the television calls news.
This is a new and expanded edition of a classic case-study in the medicalization of ADHD, originally published in 1976. The book centres on an empirical study of the process of identifying hyperactive children, providing a perceptive and accessible introduction to the concepts and issues involved. In this revised edition, Peter Conrad sets the original study in context, demonstrating the continuing relevance of his research. He highlights the issues at stake, outlining recent changes in our understanding of ADHD and reviewing recent sociological research. Peter Conrad is Harry Coplan Professor of Social Sciences at Brandeis University, USA. He has written extensively in the area of medical sociology, publishing nine books and over eighty articles and chapters.
In 1623 the actors John Heminges and Henry Condell assembled and published one of the most influential books ever published in the English language: Mr. William Shakespeare's Comedies, Histories, & Tragedies – better known to posterity as The First Folio. In doing so they preserved literature's most dramatically vital and poetically rich account of our human world. Shakespeare's legacy is endlessly renewed as his work is staged, adapted or critically interpreted. His characters have shaped the way we think about consciousness and morality, love and death, politics and war. Peter Conrad explores the phenomenon of Shakespeare; the world-view of his plays, their generic originality, and their astonishing language; and goes on to assess his global legacy across every continent and across every genre of the creative arts in the four hundred years that have elapsed since his death.
Alfred Hitchcock relished his power to frighten us and believed the shocks he administered improved our psychological health. But he could never satisfactorily explain our curiosity to see forbidden things or the perverse desire to experience anxiety and dread that made his work so popular.
This classic text on the nature of deviance, originally published in 1980, is now reissued with a new Afterword by the authors. In this new edition of their award-winning book, Conrad and Schneider investigate the origins and contemporary consequences of the medicalization of deviance. They examine specific cases-madness, alcoholism, opiate addiction, homosexuality, delinquency, and child abuse-and draw out their theoretical and policy implications. In a new chapter, the authors address developments in the last decade-including AIDS, domestic violence, co-dependency, hyperactivity in children, and learning disabilities-and they discuss the fate of medicalization in the 1990s with the changes in medicine and continued restrictions on social services.
Attention deficit-hyperactivity disorder (ADHD) has been a common psychiatric diagnosis in both children and adults since the 1980s and 1990s in the United States. But the diagnosis was much less common-even unknown-in other parts of the world. By the end of the twentieth century, this was no longer the case, and ADHD diagnosis and treatment became an increasingly widespread global phenomenon. As the diagnosis was adopted around the world, the definition and treatment of ADHD often changed in the context of different psychiatric professions, medical systems, and cultures. Global Perspectives on ADHD is the first book to examine how this expanding public health concern is diagnosed and treated in 16 different countries. In some countries, readers learn, over 10% of school-aged children and adolescents are diagnosed with ADHD; in others, that figure is less than 1%. Some countries focus on medicating children with ADHD; others emphasize parent intervention or child therapy. Showing how a medical diagnosis varies across contexts and time periods, this book explains how those distinctions shape medical interventions and guidelines, filling a much-needed gap by examining ADHD on an international scale. Contributors: Madeleine Akrich, Mari J. Armstrong-Hough, Meredith R. Bergey, Eugenia Bianchi, Christian Broer, Peter Conrad, Claire Edwards, Silvia A. Faraone, Angela M. Filipe, Alessandra Frigerio, Valeria Portugal Goncalves, Linda J. Graham, Hiroyuki Ito, Fabian Karsch, Victor Kraak, Claudia Malacrida, Lorenzo Montali, Yasuo Murayama, Sebastian Rojas Navarro, Orla O'Donovan, Francisco Ortega, Monica Pena Ochoa, Brenton J. Prosser, Vololona Rabeharisoa, Patricio Rojas, Tiffani Semach, Ilina Singh, Rachel Spronk, Junko Teruyama, Masatsugu Tsujii, Fan-Tzu Tseng, Manuel Vallee, Rafaela Zorzanelli
Peter Conrad's exhilarating book exposes the absurdity and occasional insanity of our godforsaken, demon-haunted contemporary culture. Conrad casts his brilliant beam upon subjects from the Queen to the Kardashians, via Banksy, Nando's, vaping, the vogue of the cronut, the mushroom-like rise of Dubai, the launch of the Large Hadron Collider, the growth of the Pacific garbage patch... In Judge Judy, he shows us a matronly Roman goddess dispensing justice with a fly swatter. In the metamorphosis of Caitlyn Jenner from Olympic athlete and paterfamilias into idealized female form, he sees parallels to the deeds of the residents of Mount Olympus themselves. Finally, after surveying advances in biomedical engineering and artificial intelligence, he asks whether we might be on the brink of a post-human world.
This book tells the stories of heroic Canadian soldiers who escaped from behind enemy lines during the wars of the 20th century. Learn about the Wooden Horse escape and the tragic Great Escape of World War 2. The book includes hair-raising accounts of Canadian soldiers who managed to break to freedom from prisoner trains and eastern front work camps and those who made their way back to Allied territory from behind enemy lines.
No novel in English has given more pleasure than "Pride and
Prejudice. "Because it is one of the great works in our literature,
critics in every generation reexamine and reinterpret it. But the
rest of us simply fall in love with it--and with its wonderfully
charming and intelligent heroine, Elizabeth Bennet.
People who saw the first moving pictures at the end of the nineteenth century were delighted by a new art that communicated without words – yet they were also alarmed to be witnessing events in a strange, mute, spectral realm, where the laws of time and space were suspended and magical transformations could occur. Some early commentators hailed cinema as a blessing and praised it for resurrecting the dead; others likened it to a hypnotic trance or a hallucinogenic drug. The medium has always been excited by speed, and it enjoys sending the body on furious kinetic chases; at the same time, it stealthily probes our minds, invading our dreams and titillating our desires. Although this is an art kindled by light and inflamed by colour, it is nurtured by darkness and can reduce life to an insubstantial shadow play. Either way, as Peter Conrad argues in this brilliant book, the movie camera has given us new eyes and changed forever our view of reality. The Mysteries of Cinema sets out to map this ambiguous territory by taking readers on a thematic roller-coaster ride through movie history. Directors and critics speculate about the nature of cinematic vision, and there are contributions to the debate from writers like Kafka, Virginia Woolf and Joan Didion, artists including Salvador DalÃ, George Grosz and Fernand Léger, and the composers Arnold Schoenberg and Dmitri Shostakovich. The book begins from the audacious innovations of silent film, and examines the influence of French surrealism and German expressionism; it accounts for the appeal of Hollywood genres like the Western, the horror film and the musical, and ends by considering the fate of the moving image in our visually glutted society. Combining contagious enthusiasm with an eye for the subjective quirks of filmmakers and the allure of favourite performers, Conrad delivers an astonishing addition to the literature on the seventh art. With 61 illustrations
"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife."
Over the past half-century, the social terrain of health and illness has been transformed. What were once considered normal human events and common human problems -- birth, aging, menopause, alcoholism, and obesity -- are now viewed as medical conditions. For better or worse, medicine increasingly permeates aspects of daily life. Building on more than three decades of research, Peter Conrad explores the changing forces behind this trend with case studies of short stature, social anxiety, "male menopause," erectile dysfunction, adult ADHD, and sexual orientation. He examines the emergence of and changes in medicalization, the consequences of the expanding medical domain, and the implications for health and society. He finds in recent developments -- such as the growing number of possible diagnoses and biomedical enhancements -- the future direction of medicalization. Conrad contends that the impact of medical professionals on medicalization has diminished. Instead, the pharmaceutical and biotechnical industries, insurance companies and HMOs, and the patient as consumer have become the major forces promoting medicalization. This thought-provoking study offers valuable insight into not only how medicalization got to this point but also how it may continue to evolve.
This is the first book to compare these two composers and cultural heroes, both of whom were born in 1813 and achieved huge national and international renown in their lifetimes. Yet not only did they never meet, but the differences between them in music, culture, environment, significance, and legacy were profound. Peter Conrad begins his tale in a public park in Venice, home to a pair of statues of the composers that are positioned so as to appear to shun each other. This provides a fitting starting point for his argument that they represent two opposite yet equally integral and compelling dimensions of European culture: north versus south, cerebral versus sensual, proud solitude versus human connection, epic mythmaking versus humane magnanimity. The book is a richly argued tour de force that engages passionately and profoundly with music, biography, history, politics, philosophy, psychology, and culture in the broadest sense. As Conrad concludes, At one time or another, if not simultaneously, we still need the two contradictory, complementary kinds of music that Verdi and Wagner left us. "
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Trierische Geschichte Bis Zum Jahr 1784 Peter Conrad Neuen Gelehrten Buchhandlung, 1821
You've seen and admired them. Poised, polished, and well groomed, they stride confidently through the world's airports in crisp, tailored uniforms. In flight, they mysteriously emerge from hidden corners of the aircraft to conduct a gracious and efficient cabin service. They seem to be able to handle any problem from an oversized carry-on bag to an undercooked steak. Who are they? They are, of course, flight attendants and their job is unlike any other. Who are these flight attendants? What is their job really like? Could I become one of them? If you have asked yourself these questions, then this book is for yo
Over a decade after medical sociologist Phil Brown called for a sociology of diagnosis, "Putting a Name to It" provides the first book-length, comprehensive framework for this emerging subdiscipline of medical sociology. Diagnosis is central to medicine. It creates social order, explains illness, identifies treatments, and predicts outcomes. Using concepts of medical sociology, Annemarie Goldstein Jutel sheds light on current knowledge about the components of diagnosis to outline how a sociology of diagnosis would function. She situates it within the broader discipline, lays out the directions it should explore, and discusses how the classification of illness and framing of diagnosis relate to social status and order. Jutel explains why this matters not just to doctor-patient relationships but also to the entire medical system. As a result, she argues, the sociological realm of diagnosis encompasses not only the ongoing controversy surrounding revisions to the "Diagnostic and Statistical Manual of Mental Disorders" in psychiatry but also hot-button issues such as genetic screening and pharmaceutical industry disease mongering. Both a challenge and a call to arms, "Putting a Name to It" is a lucid, persuasive argument for formalizing, professionalizing, and advancing longstanding practice. Jutel's innovative, open approach and engaging arguments will find support among medical sociologists and practitioners and across much of the medical system.
Managementforschung ist eine doppelt-blind begutachtete Zeitschrift und veroeffentlicht einmal im Jahr neueste Forschungsergebnisse und Entwicklungstrends. Band 25 (2016) befasst sich mit dem Thema Management zwischen Reflexion und Handeln und enthalt die folgenden Beitrage: Tertium datur - Figuren des Dritten in der Organisationstheorie (und -praxis) Management als Bundel aus Praktiken, Diskursen und Technologien Politische Prozesse und expansives Lernen in Organisationen Geschlechtstypisierungen und implizite Rollenerwartungen im Management Personalmanagement an Hochschulen
"Morderisches Leipzig" enthalt drei Falle von Kriminalkommissar Sascha Altmann von der Mordkommission Leipzig: Othello und andere Katastrophen: Ein Toter in einer ausgebrannten Wohnung gibt den Ermittlern Ratsel auf. Hit any key to die Der Computer eines Verdachtigen ist gut verschlusselt. Kann er geknackt werden, und welche Rolle spielt er bei einer Reihe von geheimnisvollen Todesfallen. Brennen soll Leipzig Eine rechtsextreme Partei hat eine Demonstration angemeldet - aber der Parteichef ist verschwunden. Mit seinem plotzlichen Wiederauftauchen fangen die Probleme fur die Polizei und die ganze Stadt Leipzig aber erst so richtig an.
Managementforschung ist eine doppelt-blind begutachtete Zeitschrift und veroeffentlicht einmal im Jahr neueste Forschungsergebnisse und Entwicklungstrends. Band 24 (2014) befasst sich mit dem Thema Arbeit - eine Neubestimmung und enthalt die folgenden Beitrage: Arbeit als Tatigkeit - Kopfarbeit in der modernen Arbeitswelt - Konfiguration von new employment relationships - Personalabbauplane und der Verlust von Humankapital - Tools in der Management- und Beratungsarbeit - Netzwerkfoermige Tertialisierung und triangularisierte Beschaftigung - Promotorenarbeit von Managern staatlich gefoerderter Netzwerke - Kontroverse: Interaktive Arbeit im Dienstleistungsbereich.
Managementforschung informiert jahrlich uber neueste Erkenntnisse und Trends der wissenschaftlichen Diskussion. Band 22 (2012) enthalt Beitrage zu folgenden Themen: Formalisierung und Wohlbefinden am Arbeitsplatz Regulatorische Unsicherheit und private Standardisierung Die Bedeutung des institutionellen Grundungskontexts fur die Ubernahme der Richtlinien des Deutschen Corporate Governance Kodex Eine anomietheoretische Analyse des Managements von Innovativitat in Organisationen Abusive Supervision als stabile Ko-Konstruktion dysfunktionaler Beziehungsrealitat Regelsysteme in grenzuberschreitenden Geschaftsbeziehungen"
Der zweite Band der jahrlich erscheinenden "Managementforschung" ent- halt sieben alphabetisch geordnete Beitrage. Thematisch setzen sie sich mit zwei zentralen Problembereichen verhaltenswissenschaftlicher Mana- gementforschung und Managementpraxis auseinander. Im ersten Bereich wird die Diskussion um die Erklarungsleistung verhaltenswissenschaftli- cher und oekonomischer Konzepte aufgegriffen und weiterentwickelt. Dazu werden im einzelnen die verhaltenswissenschaftlichen Ursprunge in der Betriebswirtschaftslehre kritisch gesichtet, ein oekonomischer Begrun- dungsversuch fur die Bedeutung der Organisationskultur ausgearbeitet und am Beispiel strategischer Netzwerke Grenzen einer transaktionsko- stentheoretischen Argumentation bestimmt. Im zweiten Bereich werden Strategien und Handlungsalternativen des Managements analysiert, die sich aus dem Wandel des unternehmerischen Umfeldes ergeben. Im einzel- nen interessieren hier die organisatorischen Konsequenzen des informa- tionstechnologischen Wandels fur weltweit tatige Unternehmungen. Ana- lysiert werden des weiteren betriebspolitische Aspekte des Burokratieab- baus in Industrieunternehmen anhand empirischer Daten. Zum dritten wird der Zusammenhang von betrieblichen Qualifikationsstrategien und organisationalem Lernen ausgearbeitet. Dem schliesst sich eine kritische Analyse konzeptioneller Neuerungen in der Personalwirtschaftslehre an. Berlin, im Januar 1992 Wolfgang H. Staehle und Peter Conrad Noch vor Drucklegung des zweiten Bandes ist der Mitbegrunder und Mitherausgeber der "Managementforschung", W.H. Staehle, leider ver- storben. Er hat auch den zweiten Band massgeblich herausgeberisch mit- betreut und mitgestaltet. |
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